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Contents
Hobbies at
home , Drawing , Washington Irving , Pursuit of astronomy , Wonders of the heavens
, Construction
of a new speculum , William Lassell , Warren de la Rue , Home-made reflecting
telescope , A ghost at
Patricroft , Twenty-inch diameter
speculum , Drawings of the
moon's surface , Structure of the
moon , Lunar craters , Pico , Wrinkles of age , Extinct craters , Landscape scenery of
the moon , Meeting of British
Association at Edinburgh , The Bass Rock , Professor Owen , Robert Chambers , The grooved rocks , Hugh Miller and
boulder clay , Lecture on the moon , Visit the Duke of Argyll , Basaltic formation at Mull , The Giant's Causeway ,
The great
exhibition , Steam hammer engine , Prize medals , Interview with the
Queen and Prince Consort , Lord Cockburn , Visit to Bonally , D. O. Hill ,
Let me turn for a
time from the Foundry, the whirr of the self-acting tools, and
the sound of the steam hammers, to my quieter pursuits at home.
There I had much tranquil enjoyment in the company of my dear
wife. I had many hobbies. Drawing was as familiar to me as
language. Indeed, it was often my method of speaking. It has
always been the way in which I have illustrated my thoughts. In
the course of my journeys at home and abroad I made many drawings
of places and objects, which were always full of interest, to me
at least; and they never ceased to bring up a store of happy
remembrances.
Now and then I drew
upon my fancy, and with pen and ink I conjured up "The
Castle of Udolpho," " A Bit of Old England,"
"The Fairies are Out," and "Everybody for
Ever." The last is crowded with thousands of figures and
heads, so that it is almost impossible to condense the drawing
into a small compass. To these I added "The Alchemist,"
"Old Mortality," "Robinson Crusoe," and a bit
of English scenery, which I called "Gathering Sticks."
I need not say with how much pleasure I executed these drawings
in my evening hours. They were not "published," but I
drew them with lithographic ink, and had them printed by Mr.
Maclure. I afterwards made presents of the series to some of my
most intimate friends.
The
Antiquarian. By James Nasmyth (Facsimile)
In remembrance of the
great pleasure which I had derived from the perusal of Washington
Irving's fascinating works, I sent him a copy of my sketches. His
answer was charming and characteristic. His letter was dated
" Sunnyside," Massachusetts, where he lived. He said
(17th January 1859):
DEAR SIR -- .Accept
my most sincere and hearty thanks for the exquisite fancy
sketches which you have had the kindness to send me, and for the
expressions of esteem and regard in the letter which accompanied
them. It is indeed a heartfelt gratification to me to think that
I have been able by any exercise of my pen to awaken such warm
and delicate sympathies, and to call forth such testimonials of
pleasure and approbation from a person of your cultivated taste
and intellectual elevation. With high respect and regard, I
remain, nay dear sir, your truly obliged friend, Washington
Irving."
The
Fairies. By James Nasmyth. (Facsimile)
Viscount Duncan,
afterwards Earl Camperdown, also acknowledged receipt of the
drawings in a characteristic letter. He said: -- "We are
quite delighted with them, especially with 'The Fairies,' which a
lady to whom I showed them very nearly stole, as she declared
that it quite realised her dreams of fairyland. I am only
surprised that amidst your numerous avocations you have found
time to execute such detailed works of art; and I shall have much
pleasure in being reminded as I look at the drawings that the
same hand and head that executed them invented the steam hammer,
and many other gigantic pieces of machinery which will tend to
immortalise the Anglo-saxon race."
But my most favourite
pursuit, after my daily exertions at the Foundry, was Astronomy.
There were frequently clear nights when the glorious objects in
the Heavens were seen in most attractive beauty and brilliancy.
I cannot find words
to express the thoughts which the impressive grandeur of the
Stars, seen in the silence of the night, suggested to me;
especially when I directed my Telescope, even at random, on any
portion of the clear sky, and considered that each Star of the
multitude it revealed to me, was a SUN! the centre of a system!
Myriads of such stars, invisible to the unassisted eye, were
rendered perfectly distinct by the aid of the telescope. The
magnificence of the sight was vastly increased when the telescope
was directed to any portion of the Milky Way. It revealed such
countless multitudes of stars that I had only to sit before the
eyepiece, and behold the endless procession of these glorious
objects pass before me. The motion of the earth assisted in
changing this scene of inexpressible magnificence, which reached
its climax when some object such as the "Cluster in
Hercules" came into sight. The component stars are so
crowded together there as to give the cluster the appearance of a
gray spot; but when examined with a telescope of large aperture,
it becomes resolved into such myriads of stars as to defy all
attempts to count them. Nothing can convey to the mind, in so
awful and impressive a manner, the magnificent and infinite
extent of Creation, and the inconceivable power of its Creator!
I had already a slight
acquaintance with Astronomy. My father had implanted in me the
first germs. He was a great admirer of that sublimest of
sciences. I had obtained a sufficient amount of technical
knowledge to construct in 1827 a small but very effective
reflecting telescope of six inches diameter. Three years later I
initiated Mr. Maudslay into the art and mystery of making a
reflecting telescope. I then made a speculum of ten inches
diameter, and but for the unhappy circumstance of his death in
1831, it would have been mounted in his proposed observatory at
Norwood. After I had settled down at Fireside, Patricroft, I
desired to possess a telescope of considerable power in order to
enjoy the tranquil pleasure of surveying the heavens in their
impressive grandeur at night.
As I had all the
means and appliances for casting specula at the factory, I soon
had the felicity of embodying all my former self-acquired skill
in this fine art by producing a very perfect casting of a
ten-inch diameter speculum. The alloy consisted of fifteen parts
of pure tin and thirty-two parts of pure copper, with one part of
arsenic. It was cast with perfect soundness, and was ground and
polished by a machine which I contrived for the purpose. The
speculum was so brilliant that when my friend William Lassell saw
it, he said "it made his mouth water." It was about
this time (1840) that I had the great happiness of becoming
acquainted with Mr. Lassell,[note: Mr. Lassell was a man
of superb powers. Like many others who have done so much for
astronomy, he started as an amateur. He was first apprenticed to
a merchant at Liverpool. He then began business as a brewer.
Eventually he devoted himself to astronomy and astronomical
mechanics. When in his twenty-first year he began constructing
reflecting telescopes for himself. He proceeded to make a
Newtonian of nine inches aperture, which he erected in an
observatory at his residence near Liverpool, happily named
"Starfield." With this instrument he worked diligently,
and detected the sixth star in the trapezium of Orion. In
1844 he conceived the bold idea of constructing a reflector of
two feet aperture, and twenty feet focal length, to be mounted
equatorially. Sir John Herschel, in mentioning Mr. Lassell's
work, did me the honour of saying "that in Mr Nasmyth he was
fortunate to find a mechanist capable of executing in the highest
perfection all his conceptions, and prepared by his own love of
astronomy and practical acquaintance with astronomical
observations, and with the construction of specula, to give them
their full effect." With this fine instrument Mr. Lassell
discovered the satellite of Neptune. He also discovered
the eighth satellite of Saturn, of extreme minuteness, as
well as two additional satellites of Uranus. But perhaps
his best work was done at Malta with a much larger telescope,
four feet in aperture, and thirty-seven feet focus, erected there
in 1861. He remained at Malta for three years, and published a
catalogue of 600 new nebulae, which will be found in the Memoirs
of the Royal Astronomical Society. One of his curious sayings
was, "I have had a great deal to do with opticians, some of
them -- like Cooke of York -- are really opticians; but
the greater number of them are merely shopticians!"]
and profiting by his
devotion to astronomical pursuits and his profound knowledge of
the subject. He had acquired much technical skill in the
construction of reflecting telescopes, and the companionship
between us was thus rendered very agreeable. There was an
intimate exchange of opinions on the subject, and my friendship
with him continued during forty successive years. I was perhaps a
little ahead of him in certain respects. I had more practical
knowledge of casting, for I had begun when a boy in my bedroom at
Edinburgh. In course of time I contrived many practical
"dodges" (if I may use such a word), and could nimbly
vault over difficulties of a special kind which had hitherto
formed a barrier in the way of amateur speculum makers when
fighting their way to a home-made telescope. I may mention that I
know of no mechanical pursuit in connection with science, that
offers such an opportunity for practising the technical arts, as
that of constructing from first to last a complete Newtonian or
Gregorian Reflecting Telescope. Such an enterprise brings before
the amateur a succession of the most interesting and instructive
mechanical arts, and obliges the experimenter to exercise the
faculty of delicate manipulation. If I were asked what course of
practice was the best to instil a true taste for refined
mechanical work, I should say, set to and make for yourself from
first to last a reflecting telescope with a metallic speculum.
Buy nothing but the raw material, and work your way to the
possession of a telescope by means of your own individual labour
and skill. If you do your work with the care, intelligence, and
patience that is necessary, you will find a glorious reward in
the enhanced enjoyment of a night with the heavens -- all the
result of your own ingenuity and handiwork. It will prove a
source of abundant pleasure and of infinite enjoyment for the
rest of your life.
I well remember the
visit I received from my dear friend Warren de la Rue in the year
1840. I was executing some work for him with respect to a new
process which he had contrived for the production of white lead.
I was then busy with the casting of my thirteen-inch speculum. He
watched my proceedings with earnest interest and most careful
attention. He told me many years after, that it was the sight of
my special process of casting a sound speculum that in a manner
caused him to turn his thoughts to practical astronomy, a subject
in which he has exhibited such noble devotion as well as masterly
skill. Soon after his visit I had the honour of casting for him a
thirteen-inch speculum, which he afterwards ground and polished
by a method of his own. He mounted it in an equatorial instrument
of such surpassing excellence as enabled him, aided by his
devotion and pure love of the subject, to record a series of
observations and results which will hand his name down to
posterity as one of the most faithful and patient of astronomical
observers.
Fireside,
Patricroft. After a drawing by James Nasmyth
But to return to my own little work at
Patricroft. I mounted my ten-inch home-made reflecting telescope,
and began my survey of the heavens. Need I say with what
exquisite delight the harmony of their splendour filled me. I
began as a learner, and my learning grew with experience. There
were the prominent stars, the planets, the Milky Way -- with
thousands of far-off suns -- to be seen. My observations were at
first merely general; by degrees they became particular. I was
not satisfied with enjoying these sights myself; I made my
friends and neighbours sharers in my pleasure; and some of them
enjoyed the wonders of the heavens as much as I did.
In my early use of
the telescope I had fitted the speculum into a light square tube
of deal to which the eye-piece was attached, so as to have all
the essential parts of the telescope combined together in the
most simple and portable form. I had often to remove it from
place to place in my small garden at the side of the Bridgewater
Canal, in order to get it clear of the trees and branches which
intercepted some object in the heavens which I wished to see. How
eager and enthusiastic I was in those days! Sometimes I got out
of bed in the clear small hours of the morning, and went down to
the garden in my night-shirt. I would take the telescope in my
arms and plant it in some suitable spot, where I might get a peep
at some special planet or star then above the horizon.
It became bruited
about that a ghost was seen at Patricroft! A barge was silently
gliding along the canal near midnight, when the boatman suddenly
saw a figure in white. "It moved among the trees with a
coffin in its arms!" The apparition was so sudden and
strange that he immediately concluded that it was a ghost. The
weird sight was reported at the stations along the canal, and
also at Wolverhampton, which was the boatman's headquarters. He
told the people at Patricroft on his return journey what he had
seen, and great was the excitement produced. The place was
haunted: there was no doubt about it! After all, the rumour was
founded on fact, for the ghost was merely myself in my
night-shirt, and the coffin was my telescope, which I was quietly
shifting from one place to another in order to get a clearer
sight of the heavens at midnight.
My ambition expanded.
I now resolved to construct a reflecting telescope of
considerably greater power than that which I possessed. I made
one of twenty inches diameter, and mounted it on a very simple
plan, thus removing many of the inconveniences and even personal
risks that attend the use of such instruments. (For illustration
of the plan of mounting a large telescope, see p. 338) It had been necessary to mount steps or ladders to
get at the eyepiece, especially when the objects to be observed
were at a high elevation above the horizon. I now prepared to do
some special work with this instrument. In 1842 I began my
systematic researches upon the Moon. I carefully and minutely
scrutinised the marvellous details of its surface, a pursuit
which I continued for many years, and still continue with ardour
until this day. My method was as follows:-
I availed myself of
every favourable opportunity for carrying on the investigation. I
made careful drawings with black and white chalk on large sheets
of grey-tinted paper, of such selected portions of the Moon as
embodied the most characteristic and instructive features of her
wonderful surface. I was thus enabled to graphically represent
the details with due fidelity as to form, as well as with regard
to the striking effect of the original in its masses of light and
shade. I thus educated my eye for the special object by
systematic and careful observation, and at the same time
practised my hand in no less careful delineation of all that was
so distinctly presented to me by the telescope -- at the side of
which my sheet of paper was handily fixed. I became in a manner
familiar with the vast variety of those distinct manifestations
of volcanic action, which at some inconceivably remote period had
produced these wonderful features and details of the moon's
surface. So far as could be observed, there was an entire absence
of any agency of change, so that their formation must have
remained absolutely intact since the original cosmical heat of
the moon had passed rapidly into space. The surface, with all its
wondrous details, presents the same aspect as it did probably
millions of ages ago.
This consideration
vastly enhances the deep interest with which we look upon the
moon and its volcanic details. It is totally without an
atmosphere, or of a vapour envelope, such as the earth possesses,
and which must have contributed to the conservation of the
cosmical heat of the latter orb. The moon is of relatively small
mass, and is consequently inferior in heat-retaining power. It
must thus have parted with its original stock of cosmical heat
with such rapidity as to bring about the final termination of
those surface changes which give it so peculiar an aspect. In the
case of the earth the internal heat still continues in operation,
though in a vastly reduced degree of activity. Again in the case
of the moon, the total absence of water as well as atmosphere has
removed from it all those denudative activities which, in the
earth, have acted so powerfully in effecting changes of its
surfaces as well as in the distribution of its materials. Hence
the appearance of the wonderful details of the moon's surface
presents us with objects of inconceivably remote antiquity.
General
structure of Lunar craters.
Another striking characteristic of the
moon's surface is the enormous magnitude of its volcanic crater
formations. In comparison with these, the greatest on the surface
of the earth are reduced to insignificance. Paradoxical as the
statement may at first appear, the magnitude of the remains of
the primitive volcanic energy in the moon is simply due to the
smallness of its mass. Being only about one-eightieth part of the
bulk of the earth, the force of gravity on the moon's surface is
only about one-sixth. And as eruptive force is quite independent,
as a force, of the law of gravitation, and as it acted with its
full energy on matter, which in the moon is little heavier than
cork, it was dispersed in divergent flight from the vent of the
volcanoes, free from any atmospheric resistance, and thus secured
an enormously wider dispersion of the ejected scoriae. Hence the
building up of those enormous ring-formed craters which are seen
in such vast numbers on the moon's surface -- some of them being
no less than a hundred miles in diameter, with which those of
Etna and Vesuvius are the merest molehills in comparison.
I may mention, in passing, that the
frequency of a central cone within these ring-shaped lunar
craters supplies us with one of the most distinct and
unquestionable evidences of the true nature and mode of the
formation of volcanoes.
They are the result of the expiring energy
of the volcanic discharge, which, when near its termination, not
having sufficient energy to eject the matter far from its vent,
becomes deposited around it, and thus builds up the central cone
as a sort of monument to commemorate its expiring efforts. In
this way it recalls the exact features of our own terrestrial
craters, though the latter are infinitely smaller in comparison.
When we consider how volcanoes are formed -- by the ejection and
exudation of material from beneath the solid crust -- it will be
seen how the lunar eminences are formed; that is, by the forcible
projection of fluid molten matter through cracks or vents,
through which it makes its way to the surface.
Pico, an
isolated Lunar Mountain 8000 feet high.
It was in reference to this very
interesting subject that I made a drawing of the great isolated
volcanic mountain Pico, about 8000 feet high. NOTE this
illustration exhibits a class of volcanic formations that may be
seen on many portions of the moon's surface. They are what I
would term exudative volcanic mountains, the results of a
comparatively gentle discharge of volcanic matter, which has
resulted in heaped up eminences; a vast group of which were displayed in the
illustration, some of them being
upwards of 20,000 feet high. It exhibits a very different appearance from that of
our mountain ranges, which are for the most part the result of a
tangential action. In the case of the earth, the hard stratified
crust had to adapt itself to the shrunken diameter of the once
much hotter globe. This tangential action is illustrated in our
own persons, when age causes the body to shrink in bulk , while
the skin, which does not shrink to the same extent, has to
accommodate itself to the shrunken interior, and so forms
wrinkles -- the wrinkles of age. This theory opens up a chapter
in geology and physiology well worthy of consideration. It may
alike be seen in the structure of the surface of the earth, in an
old apple, and in an old hand.
Shrunken
Apple and Hand.[note: The shrunken hand on the other side
is that of Mr. Nasmyth, photographed by himself. According to The
Psychonomy of the Hand, by R. Beamish, F.R.S., author of The
Life of Sir M. I. Brunel, it exhibits a thoroughly mechanical
hand, as well as the hand of a delicate manipulator; illustrating
that remarkable expression in the Book of Job, that "in the
hand of all the sons of men God places marks, that all the sons
of men may know their own works." -- ED.]
NOTE These illustrations serve to
illustrate one of the most potent of geological agencies which
has given the earth's surface its grandest characteristics. I
mean the elevation of mountain ranges through the contraction of
the globe as a whole. By the action of gravity the former larger
surface crushes down, as it were, the contracting interior; and
the superfluous matter, which belonged to a bigger globe,
arranges itself by tangential displacement, and accommodates
itself to the altered or decreased size of the globe. Hence our
mountain ranges, which though apparently enormous when seen near
at hand are merely the wrinkles on the face of the earth.
While earnestly studying the details of the
moon's surface, it was a source of great additional interest to
me to endeavour to realise in the mind's eye the possible
landscape effect of its marvellous elevations and depressions.
Here my artisic faculty came into operation. I endeavoured to
illustrate the landscape. scenery of the Moon, in like manner as
we illustrate the landscape scenery of the Earth. The telescope
revealed to me distinctly the volcanic craters, the cracks, and
the ranges of mountains -- by means of the light and shade on the
moon's surface. One of the most prominent conditions of the awful
grandeur of lunar scenery is the brilliant light of the sun, far
transcending that which we experience upon the earth -- enhanced
by the contrast with the jet-black background of the lunar
heavens, -- the result of the total absence of atmosphere. One
portion of the moon, on which the sun is shining, is brilliantly
illuminated, while all in shade is dark.
While the disc of the sun appears a vast
electric light of overpowering rayless brilliancy, every star and
planet in the black vault of the lunar heavens is shining with steady
brightness at all times; as, whether the Sun be present or absent
during the long fourteen days' length of the lunar day or night,
no difference on the absolutely black aspect of the lunar heavens
can appear. That aspect must be eternal there. No modification[note:
a small degree of illumination is, however, given to some
portions of the Moon's surface by the Earth-shine, when
the earth is in such a position with regard to the Moon, as to
reflect some light on to it, as the Moon does to the earth.]
of the darkness of shadows in the Moon can
result from the illuminative effect, as in our case in the earth,
from light reflected into shadows by the blue sky of our earthly
day The intensity of the contrast between light and shade must
thus lend another awful aspect to the scenery of the Moon, while
deprived of all those charming effects which artists term
"aerial perspective," by which relative distances are
rendered cognisable with such tender and exquisite beauty. The
absence of atmosphere on the Moon causes the most distant objects
to appear as close as the nearest; while the comparatively rapid
curvature of the moon, owing to its being a globe only one-fourth
the diameter of the earth, must necessarily limit very
considerably the range of view.
Lunar
Mountains and Extinct Volcanic Craters
It is the combination
of all these circumstances, which we know with absolute certainty
must exist in the Moon, that gives to the contemplation of her
marvellous surface, as revealed by the aid of powerful
telescopes, -- one of the grandest and most deeply interesting
subjects that can occupy our thoughts; especially when we regard
the physical constitution and the peculiar structure of her
surface, as that of our nearest planetary neighbour, and also as
our serviceable attendant by night.
Then there are the
Tides, so useful to man, preserving the sanitary condition of the
river mouths and tide-swept shores. We must be grateful for the
Moon's existence on that account alone. She is the grand
scavenger and practical sanitary commissioner of the earth. Then
consider the work she does! She moves hundreds of ships and
barges, filled with valuable cargoes, up our tidal rivers, to the
commercial cities on their banks. She thus performs a vast amount
of daily and nightly mechanical drudgery. She is the most
effective of all Tugs; and now that we understand the
convertibility and conservation of force, we may be able to use
her Tide-producing powers through the agency of electricity for
mechanical purposes. It is even possible that the Tides may yet
light our streets and houses![note: It is not quite a
century since London was in part supplied with water by the
Moon, through employing the tidal action by the waters at Old
London Bridge, where the tide mills worked the water-supplying
pumps.]
Is the moon
inhabited? It seems to me that the entire absence of atmosphere
and water forbids the supposition -- at least of any form of life
with which we are acquainted. Add to this adverse condition, the
fact of the moon's day being equal to fourteen of our days; the
sun shining with much more brilliancy of effect in the moon than
on the earth, where atmosphere and moisture act as an important
agent in modifying its scorching rays; whilst no such agency
exists in the moon. The sun shines there without intermission for
fourteen days and nights. During that time the heat must
accumulate to almost the melting point of lead; while, on the
other hand, the absence of the sun for an equal period must be
followed by a period of intense cold, such as we have no
experience of, even in the Arctic regions. The highest
authorities state that the cold during the Moon's long night must
reach as low as 250 degrees below the freezing point of water.
These considerations, I think, reasonably suggest that the
existence of any form of life in the Moon is in the highest
degree improbable.
The first occasion on
which I exhibited my series of drawings of the Moon, together
with a map six feet in diameter of its entire visible surface,
was at the meeting of the British Association at Edinburgh in
1850. I always looked forward to these meetings with great
pleasure, and attended them with supreme interest. My dear wife
always accompanied me. It was our scientific holiday. It was also
our holiday of friendship. We met many of our old friends, and
made many new friends. Alas, how many of them have departed!
Herschel, Faraday, Robinson, Taylor, Phillips, Brewster, Rosse,
Fairbairn, Lassell, and a host of minor stars, who, although
perhaps wanting in the brightness or magnitude of those I have
named, made good amends by the warmth of their cheerful rays. We
saw the younger lights emerging above the horizon: the men who
still continue to shed their glory over the meetings of the
Association.
How delightful was our
visit to Edinburgh in 1850. It was "mine own romantic
town." I remembered its striking features so well. There was
the broad mass of the Old Town, with its endless diversity of
light and shade. There was the grand old fortress, with its
towers and turrets and black portholes. Towards evening the
distant glories of the departing sun threw forward, in dark
outline, the wooded hill of Corstorphine. The rock and Castle
assumed a new aspect every time I looked at them. The long-drawn
gardens filling the valley between the Old Town and the New, and
the thickly-wooded scars of the Castle rock, were a charm of
landscape and a charm of art. Arthur's Seat, like a lion at rest,
seemed perfect witchcraft. And from the streets in the New Town ,
or from Calton Hill, what singular glances of beauty were
observed in the distance -- the gleaming waters of the Firth, and
the blue shadows among the hills of Fife.
I remembered it all,
from the days in which I sat, as a child, beside the lassies
watching the "claes" on the Calton Hill and hearing the
chimes of St. Giles's tinkling across the Nor' Loch from the Old
Town ; the walks, when a boy, in the picturesque country round
Edinburgh, with my father and his scientific and artistic
friends; my days at the High School, and then my evenings at the
School of Arts; my castings of brass in my bedroom, and the
technical training I enjoyed in the workshop of my old
schoolfellow; my roadway locomotive and its success; and finally,
the making of my tools and machines intended for Manchester, at
the foundry of my dear old friend Douglass. It all came back to
me like a dream. And now, after some twenty years, I had returned
to Edinburgh on a visit to the British Association. Many things
had been changed -- many relatives and friends had departed --
but still Edinburgh remained to me as fascinating as ever.
The excursions formed
our principal source of enjoyment during these scientific
gatherings. The season was then at its happiest. Nature was in
her most enjoyable condition, and the excursionists were usually
in their holiday mood. The meeting of the British Association at
Edinburgh was presided over by Sir David Brewster. The geologists
visited the remarkable displays of volcanic phenomena with which
the neighbourhood of Edinburgh singularly abounds. Indeed,
Edinburgh owes much of its picturesque beauty to volcanoes and
earthquake upheavings. Our excursions culminated in a visit to
the Bass Rock. The excursion had been carefully planned, and was
successfully carried out. The day was beautiful, and the party
was of the choicest. After reaching the little cove of Canty Bay,
overlooked by the gigantic ruins of Tantallon Castle, we were
ferried across to the Bass; through a few miles of that
capricious sea, the Firth of Forth, near to where it joins the
German Ocean. We were piloted by that fine old British tar,
Admiral Malcolm, while the commissariat was superintended by
General Pasley.
We were safely landed
on that magnificent sea-girt volcanic rock -- the Bass. After
inspecting the ruins of what was once a castellated State prison,
where the Covenanters were immured for conscience' sake, we
wandered up the hill towards the summit. There we were treated to
a short lecture by Professor Owen on the Solan Goose, which was
illustrated by the clouds of geese flying over us. They freely
exhibited their habits on land as well as in mid-air, and skimmed
the dizzy crags with graceful and apparently effortless motions.
The vast variety of seafowl screamed their utmost, and gave a
wonderfully illustrative chorus to the lecture. It was a most
impressive scene. We were high above the deep blue sea of the
German Ocean, the waves of which leapt up as if they would sweep
us away into the depths below.
Another of our
delightful excursions was made under the guidance of my old and
dear friend Robert Chambers.[note: I cannot pass over the
mention of Robert Chambers's name without adding that I was on
terms of the most friendly intimacy with him from a very early
period of his life to its termination in 1871. I remember when he
made his first venture in business in Leith Walk. By virtue of
his industry, ability, and energy, he became a prosperous man. I
had the happiness of enjoying his delightful and instructive
society on many occasions. We had rare cracks on all subjects,
but especially respecting old places and old characters whom we
had known at Edinburgh. His natural aptitude to catch up the
salient and most humorous points of character, with the quaint
manner in which he could describe them, gave a vast charm to his
company and conversation. Added to which, the wide range and
accuracy of his information, acquired by his own industry and
quick-witted penetration, caused the hours spent in his society
to remain among the brightest points in my memory.]
The object of this
excursion was to visit the remarkable series of grooved and
scratched rocks which had been discovered[note: They had
been first seen, some twenty years before, by Sir James Hall, one
of the geologic lights of Edinburgh.]
on the western edge
of the cliff-like boundary of Corstorphine Hill. The glacial
origin of these groovings on the rocks was then occupying the
attention of geologists. It was a subject that Robert Chambers
had carefully studied, in the Lowlands, in the Highlands, in
Rhine-land, in Switzerland, and in Norway. He had also published
his Ancient Sea Margins and his Tracings of the North
of Europe in illustration of his views. He was now enabled to show
us these groovings and scratchings on the rocks near Edinburgh.
In order to render the records more accessible, he had the
heather and mossy turf carefully removed -- especially from some
of the most distinct evidences of glacial rock-grooving. Thus no
time was lost, and we immediately saw the unquestionable
markings. Such visits as these are a thousand times more
instructive and interesting than long papers read at scientific
meetings. They afford the best opportunity for interchange of
ideas, and directly produce an emphatic result; for one cannot
cavil about what he has seen with his eyes and felt with his
hands.
We returned to the
city in time to be present at a most interesting lecture by Hugh
Miller on the Boulder Clay. He illustrated it by some scratched
boulders which he had collected in the neighbourhood of
Edinburgh. He brought the subject before his audience in his own
clear and admirable viva voce style. The Duke of Argyll
was in the chair, and a very animated discussion took place on
this novel and difficult subject. It was humorously brought to a
conclusion by the Rev. Dr. Fleming, a shrewd and learned
geologist. Like many others, he had encountered great
difficulties in arriving at definite conclusions on this
mysterious subject. He concluded his remarks upon it by
describing the influence it had in preventing his sleeping at
night. He was so restless on one occasion that his wife became
seriously alarmed. "What's the matter wi' ye, John? are ye
ill?" "On no," replied the doctor, "it's
only that confounded Bounder Clay!" This domestic
anecdote brought down the house, and the meeting terminated in a
loud and hearty laugh.
I, too, contributed my
little quota of information to the members of the British
Association. I had brought with me from Lancashire a considerable
number of my large graphic illustrations of the details of the
Moon's surface. I gave a viva voce account of my lunar
researches at a crowded meeting of the Physical Section A. The
novel and interesting subject appeared to give so much
satisfaction to the audience that the Council of the Association
requested me to repeat the account at one of the special
evenings, when the members of all the various sections were
generally present. It was quite a new thing for me to appear as a
public lecturer; but I consented. The large hall of the Assembly
Rooms in George Street was crowded with an attentive audience.
The Duke of Argyll was in the chair. It is a difficult thing to
give a public lecture especially to a scientific audience. To see
a large number of faces turned up, waiting for the words of the
lecturer, is a somewhat appalling sight. But the novelty of the
subject and the graphic illustrations helped me very much. I was
quite full of the Moon. The words came almost unsought; and I
believe the lecture went off very well, and terminated with
"great applause." And thus the meeting of the British
Association at Edinburgh came to an end.
This, however, was
not the end of our visit to Scotland. I was strongly urged by the
Duke of Argyll to pay him a visit at his castle at Inverary. I
had frequently before had the happiness of meeting the Duke and
Duchess at the Earl of Ellesmere's mansion at Worsley Hall He had
made us promise that if we ever came to Scotland we were not to
fail to pay him a visit. It was accordingly arranged at Edinburgh
that we should carry out our promise, and spend some days with
him at Inverary before our return home. We were most cordially
welcomed at the castle, and enjoyed our visit exceedingly. We had
the pleasure of seeing the splendid scenery of the Western
Highlands the mountains round the head of Loch Fyne, Loch Awe,
and the magnificent hoary-headed Ben Cruachan, requiring a base
of more than twenty miles to support him, -- besides the
beautiful and majestic scenery of the neighbourhood.
But my chief interest
was in the specimens of high geological interest which the Duke
showed me. He had discovered them in the Island of Mull, in a bed
of clay shale, under a volcanic basaltic cliff over eighty feet
high, facing the Atlantic Ocean. He found in this bed many
beautifully perfect impressions of forest tree leaves, chiefly of
the plane-tree class. They appeared to have been enveloped in the
muddy bottom of a lake, which had been sealed up by the belching
forth from the bowels of the earth of molten volcanic basaltic
lava, and which indeed formed the chief material of the Island of
Mull. This basaltic cliff now fronts the Atlantic, and resists
its waves like a rock of iron. To see all the delicate veins and
stalklets, and exact forms of what had once been the green fresh
foliage of a remotely primeval forest, thus brought to light
again, as preserved in their clay envelope, after they had lain
for ages and ages under what must have been the molten outburst
of some tremendous volcanic discharge, and which now formed the
rock-bound coast of Mull, filled one's mind with an idea of the
inconceivable length of time that must have passed since the
production of these Wonderful geological phenomena.
I felt all the more
special interest in these specimens, as I had many years before,
on my return visit from Londonderry, availed myself of the
nearness of the Giant's Causeway to make a careful examination of
the marvellous volcanic columns in that neighbourhood. Having
scrambled up to a great height, I found a thick band of hematitic
clay underneath the upper bed of basalt, which was about sixty
feet thick. In this clay I detected a rich deposit of completely
charred branches of what had once been a forest tree. The bed had
been burst through by the outburst of molten basalt, and
converted the branches into charcoal. I dug out some of the
specimens, and afterwards distributed them amongst my geological
friends. The Duke was interested by my account, which so clearly
confirmed his own discovery. On a subsequent occasion I revisited
the Giant's Causeway in company with my dear wife. I again
scrambled up to the hematitic bed of clay under the basaltic
cliff, and dug out a sufficient quantity of the charred branches,
which I sent to the Duke, in confirmation of his theory as to the
origin of the leaf-beds at Mull.[note:
I received the
following reply from the Duke of Argyll dated
"Inverary, Nov. 19, 1850":-- "MY DEAR SIR
-- Am I right in concluding, from the description which;
you were so kind as to send to me, that the lignite bed,
with its superincumbent basalts, lies above those
particular columnar basalts which form the far-famed
Giant's Causeway? I see from your sketch that basalts of
great thickness, and in some views beautifully columnar,
do underlie the lignite bed; but I am not quite sure that
these columnar basalts are those precisely which are
called the Causeway. I had never heard before that the
Giant's Causeway rested on chalk, which all the basalts
in your sketch do.
The Astrologers Tower -- A Day Dream. By
James Nasmyth. (Facsimile.)
"I have been showing your
drawing of 'Udolpho Castle' and 'The Astrologer's Tower'
to the Duchess of Sutherland, who is enchanted with the
beauty of the architectural details, and wishes she had
seen them before Dunrobin was finished; for hints might
have been taken from bits of your work. -- Very truly
yours,
ARGYLL."]
In the year
following the meeting of the British Association at
Edinburgh, the great Exhibition of all nations at London
took place. The Commissioners appointed for carrying out
this noble enterprise had made special visits to
Manchester and the surrounding manufacturing districts
for the purpose of organising local committees, so that
the machinery and productions of each might be adequately
represented in the World's Great Industrial Exhibition.
The Commissioners were met with enthusiasm; and nearly
every manufacturer was found ready to display the results
of his industry. The local engineers and tool-makers were
put upon their mettle, and each endeavoured to do his
best. Like others, our firm contributed specimens of our
special machine tools, and a fair average specimen of the
steam hammer, with a 30 cwt. hammer-block.
I also sent
one of my very simple and compact steam-engines, in the
design of which I had embodied the form of my steam
hammer -- placing the crank where the anvil of the hammer
usually stands. The simplicity and grace of this
arrangement of the steam-engine were much admired. Its
merits were acknowledged in a way most gratifying to me,
by its rapid adoption by engineers of every class,
especially by marine engineers. It has been adopted for
driving the shafts of screw-propelled steamships of the
largest kind. The comparatively small space it occupies,
its compactness, its get-at-ability of parts, and
the action of gravity on the piston, which, working
vertically, and having no undue action in causing wearing
of the cylinder on one side (which was the case with
horizontal engines), has now brought my Steam Hammer
Engine into almost universal use[note: Sir John
Anderson, in his Report on the machine tools, textile,
and other machinery exhibited at Vienna in 1873, makes
the following observations:-" Perhaps the finest
pair of marine engines yet produced by France, or any
other country, were those exhibited by Schneider and
Company, the leading firm in France. These engines were
not large, but were perfect in many respects; yet
comparatively few of those who were struck with
admiration seemed to know that the original of this style
of construction came from the same mind as the Steam
Hammer. Nasmyth's Infant Hercules was the forerunner of
all the steam hammer engines that have yet been made from
that type, which is now being so extensively employed for
working the screw propeller of steam vessels."]
The
Commissioners, acting on the special recommendation of
the jury, awarded me a medal for the construction of this
form of steam-engine[note: The Council of the
Exhibition thus describe the engine in the awards:--
"Nasmyth, J., Patricroft, Manchester, a small
portable direct-acting steam-engine. The cylinder is
fixed, vertical and inverted, the crank being placed
beneath it, and the piston working downwards. The sides
of the frame which support the cylinder serve as guides,
and the bearings of the crank-shaft and fly-wheel are
firmly fixed in the bed-plate of the engine. The
arrangement is compact and economical, and the
workmanship practically good and durable." (See
illustration of the design, page 424.)]
as it was merely a judicious
arrangement of the parts, and not, in any correct sense
of the term, an invention, I took out no patent for it,
and left it free to work its own way into general
adoption. It has since been used for high as well as
low-pressure steam -- an arrangement which has come into
much favour on account of the great economy of fuel which
results from using it.
A Council
Medal was also awarded to me for the Steam Hammer. But
perhaps what pleased me most was the Prize Medal which I
received for my special hobby -- the drawings of the
Moon's surface. I sent a collection of these, with a map,
to the Exhibition. They attracted considerable attention,
not only because of their novelty, but because of the
accurate and artistic style of their execution. The
Jurors, in making the award, gave the following
description of them: "Mr. Nasmyth exhibits a
well-delineated map of the Moon on a large scale, which
is drawn with great accuracy, the irregularities upon the
surface being shown with much force and spirit; also
separate and enlarged representations of certain portions
of the Moon as seen through a powerful telescope: they
are all good in detail, and very effective."
My drawings
of the Moon attracted the special notice of the Prince
Consort. Shortly after the closing of the Exhibition, in
October 1851, the Queen and the Prince made a visit to
Manchester and Liverpool, during which time they were the
guests of the Earl of Ellesmere at Worsley Hall. Finding
that I lived near at hand, the Prince expressed his
desire to the Earl that I should exhibit to Her Majesty
some of my graphic lunar studies.
On receiving
a note to that effect from the Countess of Ellesmere, I
sent a selection of my drawings to the Hall, and
proceeded there in the evening. I had then the honour of
showing them to the Queen and the Prince, and explaining
them in detail. Her Majesty took a deep interest in the
subject, and was most earnest in her inquiries. The
Prince Consort' said that the drawings opened up quite a
new subject to him, which he had not before had the
opportunity of considering. It was as much as I could do
to answer the numerous keen and incisive questions which
he put to me. They were all so distinct and cogent. Their
object was, of course, to draw from me the necessary
explanations on this rather recondite subject. I believe,
however, that notwithstanding the presence of Royalty, I
was enabled to place all the most striking and important
features of the Moon's surface in a clear and
satisfactory manner before Her Majesty and the Prince,
I find that
the Queen in her Diary alludes in the most gratifying
manner to the evening's interview. In the Life of the
Prince Consort (vol. ii. p. 398), Sir Theodore Martin
thus mentions the subject :-"The evening was
enlivened by the presence of Mr. Nasmyth, the inventor of
the steam hammer, who had extensive works at Patricroft.
He exhibited and explained the map and drawings in which
he had embodied the results of his investigations of the
conformations of the surface of the Moon. The Queen in
her Diary dwells at considerable length on the results of
Mr. Nasmyth's inquiries. The charm of his manner, in
which the simplicity, modesty, and enthusiasm of genius
are all strikingly combined, are warmly dwelt upon. Mr.
Nasmyth belongs to a family of painters, and would have
won fame for himself as an artist -- for his landscapes
are as true to Nature as his compositions are full of
fancy and feeling -- had not science and mechanical
invention claimed him for their own. His drawings were
submitted on this occasion. and their beauty was
generally admired.[note: In his lecture on the
"Geological Features of Edinburgh and its
Neighbourhood," in the following year, Hugh Miller,
speaking of the Castle Rock, observed:- "The
underlying strata, though geologically and in their
original position several hundred feet higher than those
which underlie the Castle esplanade, are now, with
respect to the actual level, nearly 200 feet lower. In a
lecture on what may be termed the geology of the Moon,
delivered in the October of last year before Her Majesty
and Prince Albert by Mr. Nasmyth, he referred to certain
appearances on the surface of that satellite that seemed
to be the results, in some very ancient time, of the
sudden falling in of portions of an unsupported crust, or
a retreating nucleus of molten matter; and took occasion
to suggest that some of the great slips and shifts on the
surface of our own planet, with their huge downcasts, may
have had a similar origin. The suggestion is at once bold
and ingenious."]
The next time
I visited Edinburgh was in the autumn of 1853. Lord
Cockburn, an old friend, having heard that I was
sojourning in the city, sent me the following letter,
dated "Bonally, 3rd September," inviting me to
call a meeting of the Faithful:
"MY DEAR
Sir -- Instead of being sketching, as I thought, in
Switzerland, I was told yesterday that you were in Auld
Reekie. Then why not come out here next Thursday, or
Friday, or Saturday, and let us have a Hill Day? I
suppose I need not write to summon the Faithful, because
not having been in Edinburgh except once for above a
month, I don't know where the Faithful are. But you must
know their haunts, and it can't give you much trouble to
speak to them. I should like to see Lauder here. And
don't forget the Gaberlunzie. -- Ever,
H.
COCKBURN"[note: James Ballantine, author of The
Gaberlunzie's Wallet. In August 1865 Mr. Ballantine
wrote to me saying : "If ever you are in Auld Reekie
I should feel proud of a call from you. I have not
forgotten the delightful day we spent together many years
ago at Bonny Bonally with the eagle-eyed Henry
Cockburn!"]
The meeting
came off. I collected a number of special friends about
me, and I took my wife to the meeting of the Faithful.
There were present David Roberts, Clarkson Stanfield,
Louis and Carl Haag, Sir George Harvey, James Ballantine,
and D. O. Hill -- all artists. We made our way to Bonny
Bonally, a charming residence, situated at the foot of
the Pentland Hills. NOTE (The house was afterwards
occupied by the lamented Professor Hodgson, the
well-known Political Economist. ) The day was perfect
-- in all respects "equal to bespoke." With
that most genial of men, Lord Cockburn, for our guide, we
wandered far up the Pentland Hills. After a rather
toilsome walk we reached a favourite spot. It was a
semicircular hollow in the hillside, scooped out by the
sheep for shelter. It was carpeted and cushioned with a
deep bed of wild thyme, redolent of the very essence of
rural fragrance.
We sat down in
a semicircle, our guide in the middle. He said in his
quaint peculiar way, " Here endeth the first
lesson." After gathering our breath, and settling
ourselves to enjoy our well-earned rest, we sat in
silence for a time. The gentle breeze blew past us, and
we inhaled the fragrant air. It was enough for a time to
look on, for the glorious old city was before us, with
its towers, and spires, and lofty buildings between us
and the distance. On one side Arthur's Seat, and on the
other the Castle, the crown of the city. The view
extended far and wide -- on to the waters of the Forth
and the blue hills of Fife. The view is splendidly
described by "Delta":--
"Traced like
a map, the landscape lies
In cultured
beauty, stretching wide:
Here Pentland's
green acclivities,--
There ocean, with
its swelling tide,--
There Arthur's
Seat and gleaming through
Thy Southern wing,
Dull Edin blue!
While, in the
Orient, Lammer's daughters,--
A distant giant
range, are seen;
North Berwick Law,
with cone of green,
And Bass amid the
waters." Then we began to crack, our host leading the
way with his humorous observations. After taking our fill
of rest and talk, we wended our way down again, with the
"wimplin' burn" by our side, fresh from the
pure springs of the hill, whispering its welcome to us.
We had earned a
good appetite for dinner, which was shortly laid before
us. The bill of fare was national, and included a haggis:
"Fair fa'
your honest sonsie face,
Great chieftain o'
the puddin' race!
Weel are ye wordy
o'a grace
As lang's my arm
!" The haggis was admirably compounded and
cooked, and was served forth by our genial host with all
appropriate accompaniments. But the most enjoyable was
the conversation of Lord Cockburn, who was a master of
the art -- quick ready, humorous, and full of wit. At
last, the day came to a close, and we wended our way
towards the city.
Let me,
however, before concluding, say a few words in reference
to my dear departed friend David Oswald Hill. His name
calls up many recollections of happy hours spent in his
company. He was, in all respects, the incarnation of
geniality. His lively sense of humour, combined with a
romantic and poetic constitution of mind, and his fine
sense of the beautiful in Nature and art, together with
his kindly and genial feeling, made him, all in all, a
most agreeable friend and companion. "D. O.
Hill," as he was generally called, was much attached
to my father. He was a very frequent visitor at our
Edinburgh fireside, and was ever ready to join in our
extemporised walks and jaunts, when he would overflow
with his kindly sympathy and humour. He was a skilful
draughtsman, and possessed a truly poetic feeling for
art. His designs for pictures were always attractive,
from the fine feeling exhibited in their composition and
arrangement. But somehow, when he came to handle the
brush, the result was not always satisfactory -- a defect
not uncommon with artists. Altogether, he was a
delightful companion and a staunch friend, and his death
made a sad blank in the artistic society of Edinburgh.
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